The fatal attraction of government is that it allows busybodies to impose decisions on others without paying any price themselves. That enables them to act as if there were no price, even when there are ruinous prices â€” paid by others.
As I wouldn’t want to be called “Eurocentric” or anything like that, I’d like to wish you all a slightly belated Happy Holi as well as Ä’ostre. Got to keep up with the multicultural ethic, after all.
And Happy Holi As Well
OK, OK! All sarcasm aside, I just plain forgot that yesterday was technically Holi. My wives and I actually celebrate this Hindu holiday but, like many such things in the States, when the holiday falls on a weekday the big celebrations and ceremonies are normally held on the nearest weekend. Hence, Sunday we’ll be having fun and getting colorful at this year’s Rangwali Holi.
Pranav Bhide of ad the agency Taproot has created a series of pictures depicting the Hindu Goddesses: Lakshmi (à¤²à¤•à¥à¤·à¥à¤®à¥€), Saraswati (à¤¸à¤°à¤¸à¥à¤µà¤¤à¥€), and Durga (à¤¦à¥à¤°à¥à¤—à¤¾) as victims of domestic violence to benefit Save Our Sisters, an recent anti-domestic violence initiative of Save The Children India which focuses on prevention and repatriation of sexually trafficked women and children in India.
Lakshmi, Saraswati, and Durga – Abused Goddesses
Each of the three ads is accompanied by the same text:
Pray that we never see this day. Today more than 68% of women in India are victims of domestic violence. Tomorrow it seems like no woman shall be spared. Not even the ones we pray too.
Taproot’s campaign was created by blending traditional hand-painted Indian art with modern-day photography using real models and has won multiple awards at different ad festivals.
If you’re Pagan, these ads will be eye-catching and a bit disturbing. For Hindu’s their blatantly shocking. Lakshmi who Hindus once beseeched on bended knee for good fortune now sits sad-eyed on a lotus with a bloodied nose. Saraswatiâ€™s infinite wisdom and knowledge were no defense against a black-eye. Durga, who once danced upon the demon (Asura) Mahishasuraâ€™s corpse now stands bruised, battered and teary-eyed, begging for our protection.
The images of Lakshmi and Saraswati are directly analogous to depicting the Blessed Mother Mary as beaten and bloodied. The image of Durga is a bit different because Durga is a Goddess of War and the defender of Heaven (Svarga). Showing Her as beaten and cowed is an implication that Heaven itself has been beaten and conquered by the growing violence against women in India.
That’s, however, a somewhat problematically mixed message. It may shock and shame men, which was its intent, but it also undermines the Indian women’s religious images of feminine authority by reducing three of their major goddesses to victims and stripping them of their awesome and often perilous divine power.
This may also be an indicator of how far the sad and shameful “domestication” of the Hindu Gods and Goddesses has gone in Post-Colonial India.
In Indian schools the now they tell children that when Shiva killed his wife Parvarti’s son, Ganesha she cried. They blatantly ignore that she also made ready to destroy the entire universe in her grief and rage and relented only when Shiva agreed to resurrect her son and make him a God.
At least Taproot was wise enough no to attempt to depict the Samrajni Kali Ma (à¤•à¤¾à¤³à¥€) as a victim of any form of violence, especially domestic violence.
It would be foolish to attempt to paint Kali as some form of abused Bhartiya Naari (“Traditional Indian Woman”). Nobody would believe or countenance that Kali, who sprung from Durga’s forehead and was made by Her rage and frustration at not being able to defeat the demon general Raktabija and his army could ever be a victim.
Of course, a follow-up campaign showing the possible repercussions of domestic violence against women in India featuring the Samrajni Kali Ma might be a powerful message…
Somewhat more than a year ago An Italian company that makes Internet-based games, Molleindustria, release a web-based flash game named Faith Fighter. Of the course of time the game, which depicts religious figures and deities fighting each other, was played by millions of players on the Internet.
As could be fully expected, any game that portrayed God, Jesus, Buddha, Ganesha, Budai, and Muhammad beating the holy crap out of each other generated a certain amount of ire and complaint among the various religious communities. This was no surprise to Molleindustria or anyone who had played the game. It was also of little concern to Molleindustria or anyone who had played the game since freedom of speech and expression is guaranteed in the Civilized World.
Then the Islamists of the Organization of The Islamic Conference (OIC) got wind of Faith Fighter. Very quickly they issued strong complaints and demanded that the Internet service providers who are hosting the game to take immediate action by withdrawing it from the web. Molleindustria was essentially forced, under threat of loosing their hosting at the very least, to remove Faith Fighter from their site.
Fortunately for all people, despite the efforts of the OIC to end freedom through their white-collar jihad, there are many copies of the game still available. I have one of them here for your enjoyment:
As I’ve posted before, I will fight the Islamists’ white collar jihad with my voice, my vote, and – if needs be and the Devil will out – my attorneys. If they want to take it beyond that, I have developed a fondness in recent times for the M24A3 chambered for .338 Lapua Magnum – much more punch than my old .300 Win Mag and lighter and very much more accurate than my old, but still loved to this day, M82A1 – which should solve for most “problems” within 1200m or so.