Small Town Racism

Small Town Racism
Small Town Racism

Recently, Jason Aldean completely triggered the #Woke SJWs and the ever-eager-to-rant Black Community with the release of his video for his hit single, “Try That In A Small Town.” They went past their normal apoplexy into the realms of pure madness. They even somehow convinced the mendaciously named Country Music Television to pull it from their platform.

It’s racist, these vermin claim. It’s violent! It’s dangerous! But is it? Or is this our domestic enemies inadvertently showing their true colors – Hint: they’re not red, white, and blue – and acting the fool?

Jason Aldean’s Try That In A Small Town

Well, let’s start with the video, since imagery is more prone to spark feelings in people of all sorts.

Racist? I can’t see how it is. While there’s plenty of extreme Black violence, there’s also violence being perpetrated by the mostly White Antifa vermin too. Indeed, there seemed to slightly more footage of Antifa than the Blacks. And, in all cases, that depicted violence is straight from news footage, i.e., wholly and solely true depictions of the mass violence that cities were regularly subjected to just recently. Doesn’t seem possible to call that racist since both Black and White vermin were showed behaving in a feral manner.

The same holds true for it being violent. The only violence in the video was news coverage of exactly the sort of mass violence that Mr. Aldean is telling people won’t be tolerated in small towns. There was not one bit of violence, or even potentially threatening behavior, from small town Americans shown.

And just forget about the courthouse in the video being a “lynching site.” That lynching was 96 years ago and largely unknown of by the people complaining until a some muckrakers decided to grift on it to get exposure. It’s not like anyone complained about it any of the many previous time Maury County Courthouse was used in movies, television shows, and whatnot.

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Well, let’s look at the lyrics then. Maybe there’s some racism or dog whistles thereto in them.

Try That In A Small Town

Sucker punch somebody on a sidewalk
Carjack an old lady at a red light
Pull a gun on the owner of a liquor store
Ya think it’s cool, well, act a fool if ya like

Cuss out a cop, spit in his face
Stomp on the flag and light it up
Yeah, ya think you’re tough

Well, try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Got a gun that my granddad gave me
They say one day they’re gonna round up
Well, that shit might fly in the city, good luck

Try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Full of good ol’ boys, raised up right
If you’re looking for a fight
Try that in a small town
Try that in a small town

Try that in a small town
See how far ya make it down the road
Around here, we take care of our own
You cross that line, it won’t take long
For you to find out, I recommend you don’t
Try that in a small town

Try that in a small town
Ooh-ooh
Try that in a small town

OK. Maybe some of that could be considered racist… if one totally accepts that crime, specifically the “knockout game,” car jacking, and robbing liquor stores are all fundamentally Black things. Or it could be that being disrespectful towards law enforcement and defacing the flag is to be consider by the Woke and their Negroes to be core components of Black Culture.

So again, nothing. Or, at least, nothing sane people could or would call racism or real violent rhetoric.

But What The Real Problems Are

The truth – or, at least, the facts in evidence – is that our domestic enemies, the Liberals and Progressives, and the Black Community, are showcasing two interlocking – intersectional, if you will – of their problems and two of the problems that America needs to solve for.

Firstly, the Black Community is essentially a slave race – lazy, rebellious, masterless, and utterly unwanted, but still a slave race in their own minds. The Black Community is centered upon the concept of their slavery and a hatred of everything that their chosen masters say, do, and believe in. Primarily urban or not, they’re all Field Negroes in their hearts and minds and damn proud to be such. So, of course Aldean’s anthem is going to be seen as racist by them. They’re entire identity is based upon Whites, especially rural Whites, being their oppressors, always and forever.

Secondly, there’s the #Woke crowd, mostly White and mostly urbanites from the Coastal regions. They pander to- and enable the Black Community because they need to feel as if they’re different from- and “better” than both those generations before them and Americans, who rarely live in their coastal urban zones. They’re the Liberals and Progressives, and they loath and fear small town folk because small town folk don’t share their political ideology. So, the thought of those small town. American communities coming together in communal self-defense scares the life out of them. They believe, either consciously or tacitly, that this would be the first step towards – and possibly the last step before – these American communities standing up to- and coming for these urban Wokesters. And that’s they’re biggest fear.

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The Gods Made Girls

A brief word of warning – While the song in question is couched in the normal Christian monotheism of America, my commentary is in the framework of my faith, which is generally described as Pagan. If that’s going to be a larger issue for you than the actual meat of the commentary, there’s this thing called the Back Button. 😉

The Gods Made Girls

Not only is RaeLynn aka Racheal Lynn Woodward delectably cute and a fine singer, she’s got the right of things in “God Made Girls.” The Gods made women to complete men and men to complete women.

Maiden, Warrior, Mother, or Crone – whichever Aspect they currently evoke, the Gods made women to make men better than they’d otherwise be. That’s the crux of it that underlies any and all expressions of gender roles in the world.

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A Hot Spaghetti Western

Before I going any further with this, thanks need to be tendered to Cmblake6 for this video which I scarfed off of his blog.

Thank The Gods They’re Country Girls

OK, I’ve always been a fan of spaghetti westerns, but when a Italian band like the Village Girls releases “Thank God I’m A Country Girl” my enjoyment of the genre reaches whole new heights.

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Bluegrassification

Bluegrassification – Is it an insidious plot to “mountainize” music, an example of returning music to its roots, or just of means of keeping bluegrass music alive in the 21st Century?

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Bluegrassification

I know some people will dislike it and think it a heinous thing, especially when non-White music is “mountainized.” They’ll consider it some horrid form of cultural appropriation. Others, without certain prejudices, will think it’s awesome. Still more I think will just shrug, not being the least bit fond of bluegrass music in the first place.

Personally, I think it’s oddly cool. It’s also, in my opinion, musically significant that so many genres of music can be so thoroughly “blugrassified” without losing the character of the original score at all.

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ObamaCare By Morning

Ridicule is not only an effective weapon, it is often the only weapon that can be used against dangerous, inane foolishness.

Ridicule is man’s most potent weapon. It’s hard to counterattack ridicule, and it infuriates the opposition, which then reacts to your advantage.

— Saul Alinsky
Rule 5 – Rules For Radicals, 1971

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Ridicule is the only weapon which can be used against unintelligible propositions. Ideas must be distinct before reason can act upon them.

— Thomas Jefferson
July 30, 1816

Some surprising citizens of America understand this and are not afraid to make use ridicule in the attempt effect change and restore hope for the rebirth of America and the cessation of certain forms of destructive stupidity.

Carrie Underwood and Brad Paisley Lampoon The (U)ACA’ Failure

During the opening segment of the 2013 Country Music Awards (CMA), hosts Carrie Underwood and Brad Paisley did a hilarious skit and song about the abysmal but expected failure that has been the ObamaCare quasi-launch.

As you might guess, American viewers were laughing out loud at this lampooning of Obama’s signature and singular “achievement.” Contriwise, Liberals and their minority tenants – the few of the latter that actually watch the CMA show – were outraged.

The outrage is unsurprising. After all, this was a pair of country music performers – a quintessentially White and American musical genre – performing for an audience that is overwhelmingly equally White and American, is going to be declared as racists, knuckle-draggers, and with other epithets for lampooning any of Obama’s many failures.

Of course, the Liberals’ and minorities’ outraged response is just more evidence that ridicule is both effective and the best and only non-lethal weapon against Obama, his destructive foolishness, and his followers. 😉

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BONUS: If you’re like Brad Paisley and myself until quite recently and don’t know what twerking is, this is twerking:

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I’ve got to say that, while I don’t care for music in the least, I do like the moves these women are doing. Much like traditional – not Cabaret! – belly dancing, it’s a very pleasant mixture of eroticism and extreme precision and muscle control.

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