Rebuked!

Rebuked In The Name Of Jesus!

Yeah, Kalen Allen’s shtick includes more than a little racism – and cultural appropriation since he’s not Southern – but he’s still “on point” to many foodies and he’s funny while doing it. And, frankly, even though the Philadelphia-born-and-raised, Los Angeles-living food critic isn’t from The South, just about everything he’s saying could, would, and probably has come out of the mouths of Southerns – White, Black, and/or Whatever – when we’ve seen “gentrified” Southern food recipes.

Related Reading:

A Practical Guide to Culture: Helping the Next Generation Navigate Today’s World
Dear America: Notes of an Undocumented Citizen
Organizational Culture and Leadership (The Jossey-Bass Business & Management Series)
The Food of Northern Thailand
Culture Man

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Appropriate

Appropriate Not AppropriationAppropriate Not Appropriation, She’s Not White

Yes, this fine, young ebony woman is perfectly appropriate in her dress. Nobody is going to complain that she’s guilty of Cultural Appropriation, despite her dress being a cross between a Vietnamese áo dài and a Chinese cheongsam that has been “Westernized.” She’s not White and we all know that tirades about “Cultural Appropriation” are only levied against White people in America.

Then, “Cultural Appropriation” in America is rarely anything more than a oikophobic, anti-White, racist shibboleth among our domestic enemies, the so-called Liberals and Progressives, along with their ever-aggrieved minority tenants. It is nothing more than yet another case in which these Leftists have taken something with some contextualized social value and twisted and debased it into nothing more than a mindless attack upon White people and the melting pot that is – or once was – core to American culture and which strengthened the fabric of our nation.

Related Reading:

Race and Racisms: A Critical Approach, Brief Second Edition
America: A Narrative History (Brief Tenth Edition)  (Vol. 1)
101 Facts That'll Convince Your Liberal Friends to Walk Away
Alexander McQueen: Savage Beauty
Cultural Appropriation and the Arts

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The Times We Live In

The Times We Live In When Normal Is Wrong
The Times We Live In, When Normal Is Wrong

We, most assuredly sadly, live in an age where all that is not male, not White, and/or not heterosexual is held up as greatness and in which anything male, White, and/or heterosexual is decried as abhorrent or, at the very least, utterly unworthy of praise or recognition due to that very maleness, Whiteness, and/or heterosexuality.

And do be aware and assured that our domestic enemies whole issue with normal people is that they are still the majority and still exemplars of- and adherents to the long-standing, dominant culture in and of America.

Related Reading:

Time to Upsize (The Indignities Book 1)
Degenerate Art: The Fate of the Avant-Garde in Nazi Germany
Case Studies of Minority Student Placement in Special Education
The Pathology of Normalcy
Women, Minorities, and Other Extraordinary People: The New Path for Workforce Diversity

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