Fallen Woman

Art, when well done, is always evocative. It’s also very subjective and personal, drawing meaning and emotion from the beholder as well as the artist and, especially in the case of artist photography, the subject.

Take, by way of example, the photos below. To me they portray a beautified and romanticized vignette of the “fallen women” of 19th century London, especially those of the White Chapel district. Ethereal beauty, hope, despair, elegant style, an odd Catholicism to the fashion, and a certain tawdry sexuality combine and create a frisson that is, to me at least, very compelling.

Others would likely see the photos completely differently and within completely different contexts, but very few, I think, would see them merely as part of the fashion shoot which was their commercial purpose.

A Victorian-esque Study of Anne Hathaway
[Photography by Marcus Piggott and Mert Alas]

The above are photos taken of Anne Hathaway taken in London by Marcus Piggott and Mert Alas as part of a piece by Chelsea Handler of Interview Magazine. They also preview the upcoming issue of the magazine since Anne Hathaway will be on the cover of the magazine’s magazine’s September 2011 issue.

Related Reading:

Confidante: The Brothel (Confidante Trilogy Book 1)
England (Paperback) (Blastoff! Readers: Exploring Countries)
Art: Over 2,500 Works from Cave to Contemporary
200 Projects to Strengthen Your Art Skills: For Aspiring Art Students (Aspire)
Claims to Fame: Celebrity in Contemporary America

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